SHOWCASE SUCCESS

A brief word from Jacob

A year ago & change, I had a very peculiar dream about an ill-advised project. In it, a couple dozen kids from all corners of town and life took the stage for a project that was uniquely our own, and controlled solely by the vision of our creatives rather than anyone else's. There'd be no fees, no restrictions on submissions, no pressure to deliver the performance of the century: the point of it would be the project in itself rather than the stardom benefit of any individual. Of course, there would be a benefit for everyone involved, as I'm sure the theater students of Tucson could gain immensely from having a sandbox of our own in this fashion, where the sole inhibitor to our artistic desires as actors, playwrights, directors, and, God help me, producers would be our own talents and whatever shoestring budget we'd be forced to operate on.

This presented several issues. One, a budget, however tight it must be, is still quite difficult for any teenager to obtain, especially when my sole entrepreneurial skill is acting and talking with people. Two, even if I did have the money, it would be a folly to not lose sight of the fact that I am a teenager. By any practical measure, when I sent cold offers out to spaces, creatives, and actors for this project, I should have been laughed out of the room on account of the fact that I entered said room in a high school uniform. In my thoughts I knew with absolute certainty that this was a pipe dream and that I nor any other teenager would ever be trusted with the faith and the funding to pull this project off.

Yet, this past weekend, the Rigby Theater Company's Young Playwrights Showcase hit the stage at the Catalyst Creative Collective, whose benevolence in lending their space and their extreme kindness to this project cannot be overstated. I was given a rough upper maximum of a hundred people in the space for each showing. In the week that ticket sales were live, we sold out both nights, and two hundred butts in seats had such a collectively profound reaction to the events onstage of that night that our contact at the Catalyst (the incredible Gabe) reported shock hearing it from his office in the back wing of the building. I made it a point to run around and shake hands with as many folks as I could; incredibly, most were astounded and took delight in meeting me and the other cast members. The most common general sentiment I heard from them was how remarkable it was that "a group of kids pulled this off".

Without devaluing the contributions of the kids, who are all incredibly talented individuals and a breeze to work with, I think it's something of a faulty assessment to say it was entirely us. In reality, the entire community of individuals in Tucson theater who I've met up to this point backed the project into what it is today. Tyler Pierce and the Unity Church of Tucson provided us a killer deal on rehearsal space in their pursuit of supporting local arts. The consultancy of numerous individuals, including Kaitlin Bertenshaw, Dani Wright, and Ericka Quintero gave us connections we needed to ensure our performance went off without a hitch in the blessing of a venue that we had. I've mentioned the Catalyst, whose incredible booking agent Kevin Larkin was extremely amicable. Parents volunteered to help with ticketing and concessions (Bless your heart, Tanya Buffalo). To act as though this project could have thrived in the particular manner it did without the help of these kind individuals would be doing a disservice to their amazing work. Thank you all so much.

That's not to say the kids themselves weren't part of that as well. I was blessed to receive the talent of kids from up in Marana down to Vail. The contribution of time, talent, and effort from every one of our student actors, our directors, technicians, and playwrights was unprecedented. I'd like all of their names to be recorded here.

Caroline Lane is Abby Phillips, Elvis Kingman, Nia Lybeck, Brennan Garza, Andrew Coss, Atiyanna Mirza, Melyna Carrillo, Rita Munozcano, and Ethan Miller.

Spiral is Rene Cruz, Grace Christian, Liv Fredericksen, and Andrew Coss.

Jack & Quinn is Sylas-Richard Stuart Smith, in all his glory.

Worth mentioning: Elvis Kingman and Rene Cruz joined as replacements for actors who had sudden conflicts, and performed at a standard unheard of for such a short notice. Special thanks to them both.

Tech was Adam and Tyler Fosse on sound, paired with Lani Minch on lights,  and Julia Jonas recording the event, all of whom were receptive and made fantastic work in a very short time frame. Not to mention, they're all really cool people - especially the young Tyler, who took over for his older brother with ease on our second showing.

Our student directors, Antonius D. Robello and Mahri Flannery, were both incredible to work with. Antonius, your brilliant spirit and consistent vision are always appreciated in any project you lay your hands on. Mahri, your extreme professionalism, efficiency, and fantastic directorial choices for Spiral brought an abstract piece down to reality with ease. You both exceeded all expectations for this project and became the glue upon which it held together.

Lastly, our student playwrights, Isis Rivenbark and Kianna Parra, who wrote Spiral and Caroline Lane respectively. You each wrote fantastic pieces, and witnessing the pure joy on your faces able to see the tangible manifestation of that work was unlike any other experience I've had. I am proud knowing this showcase and scholarship found its material in your magnificently creative hands. 

I cannot wait to work with all of you again soon.

Combining the revenue from ticket sales, concessions, and a few generous donations, we made a little over $2000, to be dedicated as scholarships for the student directors & playwrights. A year ago, the concept of making my money back was ridiculous. Profit was out of the question. More than doubling my initial investment, though, is something else entirely. I hope that the scholarships will serve as an investment in the creatives of the future. The lot of you are more than capable of pursuing this art for the rest of your lives. Do us all a service and proceed with it.

As to what comes next: several of you have asked, and I can say so much as to inform you that this is not the end of the Rigby Theater Company. We'll announce more information as it's ready. For now, I will leave you with the hint that this next show will have a particular affinity with Caesar. Everybody's got one.

At the end of both nights, Antonius concluded with a thank you. It meant a world's difference to me. Everybody involved with this project holds a special place in my heart, and I know we will work together again soon.